<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/76">
    <dcterms:title><![CDATA[Woolen Skirt with Horizontal Ribbon Stripes]]></dcterms:title>
    <dcterms:description><![CDATA[Navy blue woollen skirt is sewn together to form a tube. It has a wide cotton band at waist with drawstrings, and four horizontal ribbon stripes around hem (from bottom: green, yellow, red and pink).]]></dcterms:description>
    <dcterms:creator><![CDATA[Groslouis, Mrs. Caroline]]></dcterms:creator>
    <dcterms:source><![CDATA[Huron Wendat]]></dcterms:source>
    <dcterms:created><![CDATA[1850-1880]]></dcterms:created>
    <dcterms:isPartOf><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/admin/items/edit/75" target="_blank" rel="noreferrer noopener">III-H-122 Pink Cotton Women's Shortgown</a>]]></dcterms:isPartOf>
    <dcterms:medium><![CDATA[blue stroud, silk ribbon, cotton]]></dcterms:medium>
    <dcterms:identifier><![CDATA[III-H-124]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[46.79354, -71.35285 (N 46°47′37″ W 71°21′10″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Lorette, PQ]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Collected in 1911 by Marius Barbeau from Mrs. Caroline Groslouis in 1911. The horizontal stripes correspond with those on the doll, and are clearly a different approach from that of the Haudenosaunee.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/91">
    <dcterms:title><![CDATA[Tshusick, An Ojibway Woman]]></dcterms:title>
    <dcterms:description><![CDATA[This portrait of Tshusick depicts her regalia after receiving materials to make it from Thomas McKenney. She wears a &quot;chief&#039;s coat&quot; with a wrap around skirt, leggings and moccasins.]]></dcterms:description>
    <dcterms:abstract><![CDATA[For complete story of Tshusick, see Thomas McKenney - the portrait was taken in Washington, but she had been identified as a servant in a fur trade household at Macinac Island.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Henry Inman after Charles Bird King]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1827]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1970-189-62 W.H. Coverdale Collection of Canadiana. Copyright: Expired]]></dcterms:accessRights>
    <dcterms:references><![CDATA[McKenney, Thomas L.<br />
1972 [1827] Sketches of a Tour to the Lakes. Barre, MA: Imprint Society (reprint); Willmott, Cory. 2013. Beavers and Sheep: Visual Appearance and Identity in Nineteenth Century Algonquian-Anglo Relations. History and Anthropology 25(1):1-46.]]></dcterms:references>
    <dcterms:medium><![CDATA[lithograph]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2947007]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[45.84918, -84.61893 (N 45°50′57″ W 84°37′08″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Mackinac Island]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/89">
    <dcterms:title><![CDATA[Costume Studies of Women of Indian Lorette, Lower Canada]]></dcterms:title>
    <dcterms:description><![CDATA[This character vignette portrays four women. The two on the left wear shortgowns over skirts that reach to just below the knee. The two on the right wear blankets in different ways. The woman second from right wears her blanket over a skirt, while the woman on the far right wears her blanket around her waist, exposing her shortgown above.]]></dcterms:description>
    <dcterms:creator><![CDATA[James Hope-Wallace]]></dcterms:creator>
    <dcterms:source><![CDATA[Huron-Wendat]]></dcterms:source>
    <dcterms:created><![CDATA[c.1840]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1970-188-1496 W.H. Coverdale Collection of Canadiana. Copyright: Expired]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[painting, watercolor]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2878275]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[46.79354, -71.35285 (N 46°47′37″ W 71°21′10″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Lorette, PQ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/88">
    <dcterms:title><![CDATA[St. Regis Indian Woman]]></dcterms:title>
    <dcterms:alternative><![CDATA[St. Regis Indian Squaw (original title)]]></dcterms:alternative>
    <dcterms:description><![CDATA[Portrait of a woman standing in a room with a bed and desk, looking out a window. She is wearing a white cotton or linen shortgown over a skirt and leggings. Her blanket and felt hat are on the desk before the window out of which she is gazing.]]></dcterms:description>
    <dcterms:abstract><![CDATA[History of St. Regis must be researched. Artist also unknown to me.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Katherine Jane Ellice]]></dcterms:creator>
    <dcterms:source><![CDATA[Haudenosaunee; Kanien&#039;kehá:ka (Mohawk)]]></dcterms:source>
    <dcterms:created><![CDATA[1838]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1990-215-18Library and Archives Canada, Acc. No. 1990-215-18. Copyright: Expired]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[painting, watercolor]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2836913]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[45.05009, -74.56597 (N 45°03′00″ W 74°33′57″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Akwesasne (alternate spelling Ahkwesáhsne) First Nation]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/14">
    <dcterms:title><![CDATA[Woman Standing on Doorstep of Wooden Building]]></dcterms:title>
    <dcterms:description><![CDATA[A female descendant of Maungwadaus wears pageant regalia consisting of a Haudenosaunee style skirt with a tunic that has deep pointed scallops at hem and sleeve cuffs. She wears Maungwadaus&#039;s bear tooth necklace and a bandolier bag made in the unique style common to two other bags with provenance from Maungwadaus&#039;s family. The tunic, necklace and bag are in the collection at the American Museum of Natural History.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Numerous items of regalia associated with Maungwadaus and his family are in the Dr. Oronhyatecka Collection at the Royal Ontario Museum, and at the American Museum of Natural History.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Mark Raymond Harrington  (1882-1971)]]></dcterms:creator>
    <dcterms:source><![CDATA[Mississauga Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1907]]></dcterms:created>
    <dcterms:accessRights><![CDATA[For reproduction and rights, contact NMAIPhotos &lt;NMAIPhotos@si.edu&gt;]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/32" target="_blank" rel="noreferrer noopener">Black Wool Skirt with Ribbonwork and Beaded Double Curves</a>]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Related images at NMAI include N03009, P07454, P16008. L00243, see also: N3008].]]></dcterms:isPartOf>
    <dcterms:references><![CDATA[For discussion of Maungwadaus&#039;s regalia see Cory Willmott. 2003. An Ojibway Artifact Unraveled: The Case of the Bag with the Snake Skin Strap. Textile History 34(1):74-81. For image published see Ruth B. Phillips. 1998. Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900, Seattle: University of Washington Press.]]></dcterms:references>
    <dcterms:format><![CDATA[Black and white photonegative]]></dcterms:format>
    <dcterms:identifier><![CDATA[N03009 and NMAI.AC.001.035]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Muncey First Nation, Ontario]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Mark Harrington probably took these photos on a collecting expedition.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/67">
    <dcterms:title><![CDATA[&quot;The Constant Sky,&quot; Saulteaux]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This painting depicts a woman seated on the ground leaning against a tree with a cradleboard and infant leaning on a stand nearby. There are a knife case and birchbark basket on the ground next to the mother and baby. In the background is a river with two short waterfalls and a cliff face behind. The woman&#039;s posture is totally inappropriate as she sits with her legs crossed, an Anishinaabe man&#039;s posture. She is wearing a strap dress ensemble, including a dress, sleeves, belt, leggings and moccasins. The sleeve arrangement is very accurately depicted, but the color of the dress is tan, which is likely the artist&#039;s creative insertion designed to imitate hide.]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;By way of passing the time, I took my gun and strolled up the river, accompanied by the guide, and fell in with a solitary Sotto woman and child sitting under a tree. She was quite alone, as her husband had gone up the river fishing in the morning. She did not appear to be at all alarmed or confused at our approach, and freely entered into conversation with the guide, to whom she told her name, Caw-kee-ka-keesh-e-ko, “The Constant Sky.” Tempted by the beauty of the scene, and she seeming to be in no wise unwilling, I sketched her likeness and the surrounding landscape with considerable care.&quot; (Paul Kane, &quot;Wanderings of an Artist,&quot; 1859:438).  Research conducted by Ian MacLaren reveals another painting of the same subject in a private collection that depicts the dress in blue trade cloth, which would be consistent with the trends of the time and place. This version, oil on paper, appears to be the model upon which the ROM version was made. There is another version of The Constant Sky in the Stark Museum that is almost identical to the one at the ROM.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Paul Kane]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1849 - 1856]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM. Permission to reproduce this image must be obtained from the ROM.]]></dcterms:accessRights>
    <dcterms:references><![CDATA[I.S. MacLaren. 1989. &quot;I came to rite thare portraits&quot;: Paul Kane&#039;s Journal of his Western Travels, 1846-48. The American Journal of Art 21 (2): 6-22; I.S. McLaren, trans. 1989. Journal of Paul Kane&#039;s Western Travels, 1846 - 1848. The American Journal of Art 21 (2): 23-62. MacLaren, I.S. Paul Kane&#039;s Travels through Indigenous North America: Writings and Art, Life and Times. Forthcoming, McGill-Queen&#039;s Univ. Press, 2022.]]></dcterms:references>
    <dcterms:medium><![CDATA[Oil on canvas, framed]]></dcterms:medium>
    <dcterms:identifier><![CDATA[912.1.30]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[52.34921, -96.98953 (N 52°20′57″ W 96°59′22″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Berens River, Manitoba]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Sir Edmund Osler]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/68">
    <dcterms:title><![CDATA[&quot;Sault St. Marie,&quot;Chippewa/Southeastern Ojibwa]]></dcterms:title>
    <dcterms:description><![CDATA[This painting depicts a group of Anishinaabek sitting around a campfire with several domed wigwams nearby. The woman of the group wears a blue shortgown over a black skirt. The Sault rapids are in the background. Sault Ste. Marie is at the intersection of Northern and Southern styles, yet most evidence points to a preference for the Southern Style.]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;The Sault St. Marie is situated at the lower extremity of Lake Superior, where it debouches into the river St. Marie, in its course to Lake Huron: having in this part of the river a considerable fall, for about a mile and a half in length,it soon becomes a foaming torrent, down which, however, canoes, steered by practised guides, ordinarily descend safely, although with terrific violence. Sometimes, indeed, the venture is fatal to the bark and its occupants.&quot; &quot;I took a sketch of the rapids above alluded to, from the American side. There is a small town called the Sault St. Marie, on the American side, containing 700 or 800 inhabitants, with a well-built garrison, prettily situated on the river’s bank. On the Canadian side, about half a mile direct across, the Hudson’s Bay Company have a trading establishment, and the Custom House officer, Mr. Wilson, a tolerably handsome house.&quot; (Paul Kane, &quot;Wanderings of an Artist,&quot; 1859:45–46). From this description, I have used the current location of the Mission Indian Point historic marker for the coordinates. It is not possible to identify the exact location of the view, but it does not make a difference in terms of the style distribution.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Paul Kane]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1849 - 1856]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM. Permission to reproduce this image must be obtained from the ROM.]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[912.1.9]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[46.48484639820592, -84.3022458815237]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Sault Ste. Marie]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Sir Edmund Osler]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/69">
    <dcterms:title><![CDATA[&quot;The Midday Woman,&quot; Southeastern Ojibwa]]></dcterms:title>
    <dcterms:description><![CDATA[This portrait depicts the &quot;daughter of a chief from Lake St. Clair,&quot; which today is Walpole Island First Nation. The unnamed woman wears a fur robe over a white cotton or linen shirt with gathered neckline. She wears four strands of round beads and silver drop earrings. Although the portrait depicts only the upper portion of her body, it is apparent that the regalia is of the southern style.]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;An interesting girl, the daughter of a chief from Lake St. Clair, gave me much trouble in prevailing on her to sit for her likeness, although her father insisted upon it; her repugnance proceeded from a superstitious belief that by so doing she would place herself in the power of the possessor of what is regarded by an Indian as a second self.&quot; (Paul Kane, &quot;Wanderings of an Artist,&quot; 1859:4–5)]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Paul Kane]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1849 - 1856]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM. Permission to reproduce this image must be obtained from the ROM.]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[912.1.7]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[42.56858495442497, -82.51662988234438]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Walpole Island, Ontario]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Sir Edmund Osler]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/96">
    <dcterms:title><![CDATA[A Family from the Tribe of the Wild Sautaux Indians on the Red River]]></dcterms:title>
    <dcterms:description><![CDATA[This watercolor depicts a family of two men, two women, five children and two babies in front of a birchbark wigwam. One of the women is wearing a blue strap dress with red sleeves, incorrectly drawn so that the straps look like they are part of the sleeves.]]></dcterms:description>
    <dcterms:creator><![CDATA[Peter Rindisbacher]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1821-1826]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1988-250-28, Copyright: Expired]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[watercolor]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1988-250-28]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[49.885405584017164, -97.12916327273709 (N 49°53′00″ W 97°08′00″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Winnipeg, MB, The Forks, Winnipeg]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/97">
    <dcterms:title><![CDATA[Interior of a Sioux Lodge]]></dcterms:title>
    <dcterms:description><![CDATA[This print shows a fur trader visiting a family of several men, two women, a baby and two young men. Both women wear red strap dresses. One of them wears white sleeves with hers, incorrectly drawn. The theme and arrangement of figures is very similar to the watercolor, &quot;Inside of an Indian Tent.&quot;]]></dcterms:description>
    <dcterms:abstract><![CDATA[This may be a work originally published in West, John, &quot;A Substance of a Journal during a Residence at the Red River Colony...in the Years 1821,1822,1823&quot;; note the red strap dress of both women.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Peter Rindisbacher]]></dcterms:creator>
    <dcterms:source><![CDATA[Sioux]]></dcterms:source>
    <dcterms:created><![CDATA[1824]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. R9266-1050 Peter Winkworth Collection of Canadiana, Copyright: Expired]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[2870691]]></dcterms:relation>
    <dcterms:medium><![CDATA[print]]></dcterms:medium>
    <dcterms:identifier><![CDATA[3018018]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[49.885405584017164, -97.12916327273709 (N 49°53′00″ W 97°08′00″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Winnipeg, MB, The Forks, Winnipeg]]></dcterms:spatial>
</rdf:Description></rdf:RDF>
