<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/2">
    <dcterms:title><![CDATA[Portrait of Mrs. George Walters, White Earth Indian Reservation]]></dcterms:title>
    <dcterms:subject><![CDATA[Jane Walters (AKA Mrs. George Walters, Shaw Wash E Quey)]]></dcterms:subject>
    <dcterms:description><![CDATA[Candid side view photograph of Mrs. George Walters holding an eagle staff taken during festivities, possibly the June 14th Celebration. Two men in citizen&#039;s dress stand in the background. Woman with ankle-length cotton skirt and tartan shawl partially visible at left. Mrs. Walters&#039; strap dress has ribbons around the hem, above which is a band of floral beadwork. Above this is a row of tassels placed at intervals of about 8-10 inches apart, and extending down about 6-7 inches. The dress is worn with a loomwoven beaded belt. The separate sleeves are trimmed with ribbon. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[Jane Walters of Leech Lake, MN, AKA Shaw Wash E Quey, was the daughter of Mi-Gisins (Little Eagle) and the wife of George Walters. She no doubt participated in the lace-making program at Leech Lake, while at the same time she remained embedded in traditional customs, being chosen to carry the eagle staff at the White Earth June 14th Celebration and always seen wearing a strap dress. This is one of six photographs of Jane Walters found at three different institutions. Follow the links in the Relations field to see the others.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[A. A. Richardson&#039;s Photographing and Illustrating Company, Arthur Allen Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1908-1916]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Reproductions and rights are managed by the Minnesota Historical Society (MNHS). To order a reproduction or gain permission to use this item, follow the link to the MNHS record, then click &quot;Buy&quot; to start the process.]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/37" target="_blank" rel="noreferrer noopener">Daughter of Mi-Gisins (Little Eagle) Holding Feather Staff</a><a href="https://iris.siue.edu/anishinaaberegalia/items/show/25" target="_blank" rel="noreferrer noopener"> Mrs. George Walter and Mary, Dressed for White Earth Celebration. </a><a href="https://iris.siue.edu/anishinaaberegalia/items/show/13" target="_blank" rel="noreferrer noopener">Jane Walters and Companion Demonstrating Lacemaking at the 1904 Worlds Fair</a>]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Forms part of White Earth Indian Reservation photograph collection, I.364.]]></dcterms:isPartOf>
    <dcterms:references><![CDATA[Cory Willmott. 2021. Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio 55(2/3): 160-3.]]></dcterms:references>
    <dcterms:format><![CDATA[Black and White Photoprint]]></dcterms:format>
    <dcterms:medium><![CDATA[Emulsion: albumen, Physical Support: paper]]></dcterms:medium>
    <dcterms:identifier><![CDATA[AV2006.35.23 (Accession Number) I.364.10 (Location Number)]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[White Earth, Minnesota]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/54">
    <dcterms:title><![CDATA[Corn Husk Doll with Tailored Shortgown and Wrap Around Skirt]]></dcterms:title>
    <dcterms:description><![CDATA[Female corn husk doll with human or animal hair wears tailored white shortgown over wrap around skirt with white linear beadwork trim at hem. She also wears leggings with linear beadwork, and deer hide mocassins. She is accompanied by a wooden cradleboard with a woolen wrapper with white linear beadwork.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Written on back of cradleboard it says: “Made in 1840 by Betsy Turkey for Miss Emily S. Howells at Onondaga Tuscarora Parsonage, Canada West.”]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Betsy Turkey, Haudenosaunee (Iroquois)]]></dcterms:creator>
    <dcterms:source><![CDATA[Onondaga Tuscarora]]></dcterms:source>
    <dcterms:created><![CDATA[1840]]></dcterms:created>
    <dcterms:identifier><![CDATA[922.1.96.A]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[43.05011, -80.08295 (N 43°03′00″ W 80°04′59″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Six Nations of the Grand River, Ontario, Canada]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Miss Evelyn H.C. Johnson; The Chiefswood Collection]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/90">
    <dcterms:title><![CDATA[Mohongo and Child]]></dcterms:title>
    <dcterms:description><![CDATA[This portrait of Mohongo and her baby show her from the waist up. She is wearing a red blouse with multiple strands of beads around her neck and several silverworks either pinned to her blouse or around her neck. Her baby son is holding a peace medal.]]></dcterms:description>
    <dcterms:abstract><![CDATA[This is the McKenney-Hall print from the painting by Charles Bird King. Mohongo was one of six Osage who had been shipped back from France when their sponsor deserted them there. The Osage had signed a treaty in 1808, which ceded much of their land in Missouri.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Charles Bird King]]></dcterms:creator>
    <dcterms:source><![CDATA[Osage]]></dcterms:source>
    <dcterms:created><![CDATA[1830]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1970-189-104 W.H. Coverdale Collection of Canadiana. Copyright: Expired]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[print]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2947048]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[39.18806, -94.19189 (N 39°11′17″ W 94°11′31)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Sibley, MO]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/13">
    <dcterms:title><![CDATA[Jane Walters and Companion Demonstrating Lacemaking at the 1904 Worlds Fair]]></dcterms:title>
    <dcterms:alternative><![CDATA[Women in costume making lace (Supplied title)]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Jane Walters (AKA Mrs. George Walters, Shaw Wash E Quey)]]></dcterms:subject>
    <dcterms:description><![CDATA[Jane Walters (seated) and unnamed woman (standing, who is probably the same woman named &quot;Mary&quot; in MNHS 57564) pose in a studio. Mrs. Walters is demonstrating how to make white bobbin lace. Both women wear strap dress ensembles with multiple strands of bead necklaces. Both wear Plains-style moccasins and braided hair.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Jane Walters of Leech Lake, MN, AKA Shaw Wash E Quey, was the daughter of Mi-Gisins (Little Eagle) and the wife of George Walters. She no doubt participated in the lace-making program at Leech Lake, while at the same time she remained embedded in traditional customs, being chosen to carry the eagle staff at the White Earth June 14th Celebration and always seen wearing a strap dress. This is one of six photographs of Jane Walters found at three different institutions. Follow the links in the Relations field to see the others.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Charles H. Carpenter (1859-1949)]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1904]]></dcterms:created>
    <dcterms:accessRights><![CDATA[For reproduction and rights, contact NMAIPhotos &lt;NMAIPhotos@si.edu&gt;]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/37" target="_blank" rel="noreferrer noopener">Daughter of Mi-Gisins (Little Eagle) Holding Feather Staff</a><a href="https://iris.siue.edu/anishinaaberegalia/items/show/25" target="_blank" rel="noreferrer noopener"> Mrs. George Walters and Mary, Dressed for White Earth Celebration. </a><a href="https://iris.siue.edu/anishinaaberegalia/items/show/2" target="_blank" rel="noreferrer noopener">Portrait of Mrs. George Walters, White Earth Indian Reservation</a>]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Series in this photoshoot include P19203, P22762, P37593, and P17543]]></dcterms:isPartOf>
    <dcterms:references><![CDATA[Cory Willmott. 2021. Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio 55(2/3): 160-3.]]></dcterms:references>
    <dcterms:format><![CDATA[Black and white photoprint]]></dcterms:format>
    <dcterms:identifier><![CDATA[P17543]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[St. Louis, MO, Leech Lake, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Paul Warner Collection]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/70">
    <dcterms:title><![CDATA[Canoe of Indians]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This painting depicts a group of Anishinaabek in a birchbark canoe, including one man, four women, two infants and two children. The three women whose dress is visible all wear blue strap dresses, two with blue sleeves and one with red sleeves. The man wears a cotton print shirt.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Text from the exhibit, &quot;Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe,&quot; at the Tweed Museum of Art, 2006: The classic birch bark canoe of the Woodland Indians was the Ojibwe mode of travel along the lakes and rivers of the North Shore. People who recalled Eastman Johnson&#039;s visit to Lake Superior said he learned to paddle a canoe skillfully. The largest of Johnson&#039;s Grand Portage paintings, this is also one of the most puzzling: the perspective and the placement of the figures are too clumsy to make the scene as convincing as his individual portraits. As you can see by comparing the faces, the painting may never have been finished. Yet it captures in full color an essential part of Great Lakes life.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Eastman Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1856 - 57]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Low resolution images on this site are covered by Creative Commons 4.0. Requests for high resolution versions should be directed to the St. Louis County Historical Society.]]></dcterms:accessRights>
    <dcterms:references><![CDATA[<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener">Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe</a><br />
<p>Johnston, Patricia Condon. 1983. <em>Eastman Johnson’s Lake Superior Indians</em>. Afton, MN: Johnston Pub.</p>]]></dcterms:references>
    <dcterms:medium><![CDATA[oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[62.181.11]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.96147, -89.75949 (N 47°57′41″ W 89°45′34&quot;)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Grand Portage, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Richard Teller Crane]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/71">
    <dcterms:title><![CDATA[Studies of Ojibwe Woman and Child]]></dcterms:title>
    <dcterms:alternative><![CDATA[Midosuay Beek (&quot;Ten Dollars&quot;)]]></dcterms:alternative>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This drawing shows how a mother might wear her strap dress with a blanket loosely wrapped around her waist. It accurately portrays how the flap and straps would fall over a woman&#039;s chest. The fall of the sleeves is slightly less accurate, as the baby&#039;s leg is mixed up in it, making it clear Johnson didn&#039;t have full understanding of what he was seeing.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Text from the exhibit, &quot;Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe,&quot; at the Tweed Museum of Art, 2006: This double drawing combines the firmly drawn profile of Midosuay Beek, a young Ojibwe woman, with a rough sketch of a seated woman and child -- perhaps the same person in two poses. Compare this sheet with another drawing of the same woman in this collection: the care with which Johnson has drawn her eyes and chin on this double drawing is there developed into a fully realized pose.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Eastman Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1856 - 57]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Low resolution images on this site are covered by Creative Commons 4.0. Requests for high resolution versions should be directed to the St. Louis County Historical Society.]]></dcterms:accessRights>
    <dcterms:references><![CDATA[<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener">Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe</a><br />
<p>Johnston, Patricia Condon. 1983. <em>Eastman Johnson’s Lake Superior Indians</em>. Afton, MN: Johnston Pub.</p>]]></dcterms:references>
    <dcterms:medium><![CDATA[charcoal and crayon on paper]]></dcterms:medium>
    <dcterms:identifier><![CDATA[62.181.16]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.96147, -89.75949 (N 47°57′41″ W 89°45′34&quot;)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Grand Portage, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Richard Teller Crane]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/72">
    <dcterms:title><![CDATA[Minnehaha]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This small drawing shows a woman wearing a blue strap dress with red leggings. She is seated on a hillside in the traditional posture of Anishinaabe women. Worn without the sleeves, this side view accurately depicts how the dress would fall loose under the arms, a feature that accommodated breast feeding. Johnson collected this dress and it is now in the collection of the St. Louis County Historical Society.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Text from the exhibit, &quot;Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe,&quot; at the Tweed Museum of Art, 2006: The most finished of his Grand Portage pictures, this pastel takes its mood and title from Henry Wadsworth Longfellow&#039;s 1855 poem, The Song of Hiawatha. The picture, like the poem, is a romantic compilation of nature, native lore, and imagination, with the figure of Minnehaha lost in thought in a forest glade. Her dress and the log seat she faces would have been common Ojibwe objects. Johnson collected such a dress at Grand Portage, in fact, using it and his studies of Ojibwe women as models for this work.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Eastman Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1856 - 57]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Low resolution images on this site are covered by Creative Commons 4.0. Requests for high resolution versions should be directed to the St. Louis County Historical Society.]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[STLCHS strap dress ensemble]]></dcterms:relation>
    <dcterms:references><![CDATA[Johnston, Patricia Condon. 1983. <em>Eastman Johnson’s Lake Superior Indians</em>. Afton, MN: Johnston Pub.<br /><br />Willmott, Cory. 2021. Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio 55(2/3): 121-85<br /><br /><a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener">Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe</a>]]></dcterms:references>
    <dcterms:medium><![CDATA[pastel on paper]]></dcterms:medium>
    <dcterms:identifier><![CDATA[62.181.09]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.96147, -89.75949 (N 47°57′41″ W 89°45′34&quot;)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Grand Portage, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Richard Teller Crane]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/73">
    <dcterms:title><![CDATA[Ojibwe Women]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This composition depicts four Anishinaabe women wearing strap dresses. The one on the far left is standing, while the other three are seated. The one on the far right is breastfeeding a baby in a cradleboard (tikinagan). Three of the women are wearing sleeves with their ensembes, but Johnson has not quite depicted them correctly. The closest portrayal is the sleeve in the foreground, although it is shown way too low off the shoulder. In the background there is some kind of building and a group of people gathered on a hill, with larger hills in the distance. On the left side, there is a partially visible human.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Text from the exhibit, &quot;Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe,&quot; at the Tweed Museum of Art, 2006: This canvas brings together several figures in an almost random order, suggesting that Johnson painted them to document poses and clothing for future paintings. The women wear colorful strap dresses, moccasins, and jewelry, all of which would be useful visual data for an artist of Johnson&#039;s time to use in his studio. In the background at right is gathering of people-perhaps for a funeral, as the ridge on which they stand is an old Ojibwe cemetery.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Eastman Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1856 - 57]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Low resolution images on this site are covered by Creative Commons 4.0. Requests for high resolution versions should be directed to the St. Louis County Historical Society.]]></dcterms:accessRights>
    <dcterms:references><![CDATA[<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener">Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe</a>
<p>Johnston, Patricia Condon. 1983. <em>Eastman Johnson’s Lake Superior Indians</em>. Afton, MN: Johnston Pub.</p>
<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener"></a>]]></dcterms:references>
    <dcterms:medium><![CDATA[oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[62.181.13]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.96147, -89.75949 (N 47°57′41″ W 89°45′34&quot;)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Grand Portage, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Richard Teller Crane]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/74">
    <dcterms:title><![CDATA[Notin E Garbo wik]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[This small painting portrays a woman wearing a strap dress ensemble. It is particularly interesting for the fur trade silver arranged on the straps and front flap, and details of multiple strands of bead necklaces, earrings, rings and bracelets, along with elaborate decoration on the skirt of the strap dress itself, which appears to be ribbons trimmed with linear beadwork. It is the only example of a strap dress with a peplum, which makes the depiction suspicious. Technically, it is not clear how a peplum could be added to a strap dress.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Text from the exhibit, &quot;Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe,&quot; at the Tweed Museum of Art, 2006: This woman is the most elaborately costumed of Johnson&#039;s Lake Superior sitters. The clothing and jewelry were Johnson&#039;s main interest; while her face is not as carefully finished as in many of the artist&#039;s Grand Portage pictures, he paid special attention to the strap dress, moccasins, earrings and beaded necklaces.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Eastman Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1856 - 57]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Low resolution images on this site are covered by Creative Commons 4.0. Requests for high resolution versions should be directed to the St. Louis County Historical Society.]]></dcterms:accessRights>
    <dcterms:references><![CDATA[<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener">Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe<br /></a>
<p>Johnston, Patricia Condon. 1983. <em>Eastman Johnson’s Lake Superior Indians</em>. Afton, MN: Johnston Pub.</p>
<a href="https://www.tfaoi.org/aa/6aa/6aa427.htm" target="_blank" rel="noreferrer noopener"></a>]]></dcterms:references>
    <dcterms:medium><![CDATA[oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[62.181.08]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.96147, -89.75949 (N 47°57′41″ W 89°45′34&quot;)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Grand Portage, MN]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Gift of Richard Teller Crane]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/86">
    <dcterms:title><![CDATA[Kan-Te-Was-Te-Win (Good Broad Woman), A Sioux near Calgary]]></dcterms:title>
    <dcterms:description><![CDATA[Portrait of a woman standing on a plains with teepees in the background. She is wearing a blouse and skirt ensemble with a multicolored blanket over them.]]></dcterms:description>
    <dcterms:abstract><![CDATA[In 1877, the Nakota signed Treaty 7 with Canada. Roper&#039;s &quot;near Calgary&quot; was probably this reserve, or someone from it. They had come up from the US earlier in the century.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Edward Roper]]></dcterms:creator>
    <dcterms:source><![CDATA[Sioux, probably Nakota]]></dcterms:source>
    <dcterms:created><![CDATA[1887-1909]]></dcterms:created>
    <dcterms:accessRights><![CDATA[Library and Archives Canada, Acc. No. 1989-446-10. Copyright: Expired]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[painting]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2836481]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[51.16953, -114.94648 (N 51°10′10″ W 114°56′47″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Stoney Reserve 142, 143, 144]]></dcterms:spatial>
</rdf:Description></rdf:RDF>
