<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/103">
    <dcterms:title><![CDATA[Sleeves with Floral Beadwork Cuffs]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[Woolen indigo blue trade cloth sleeves trimmed with multicolored ribbons that form a pair of squares at the center back and floral beadwork at the cuffs.]]></dcterms:description>
    <dcterms:abstract><![CDATA[A card attached to the dress (E357965-0) has written in Densmore&#039;s handwriting: &quot;Womans&#039;s costume comprising: 1. Dress, 2. Sleeves, 3. Leggins, 4. Moccasins, 5. Beaded sash (belt), 6. Otter-skin hair ornaments, 7. Beaded hair ornament; coll. by Frances Densmore 1917.&quot; Only the sleeves can now be confidently associated with the dress.]]></dcterms:abstract>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1917]]></dcterms:created>
    <dcterms:accessRights><![CDATA[<a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" rel="noreferrer noopener">https://creativecommons.org/licenses/by/4.0/</a>]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/6" target="_blank" rel="noreferrer noopener">MNHS E97.1 p57 is photo of woman wearing this dress.</a>]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/102" target="_blank" rel="noreferrer noopener">E357965-0</a>]]></dcterms:isPartOf>
    <dcterms:references><![CDATA[Cory Willmott. (2021). Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio. 55. 121-185]]></dcterms:references>
    <dcterms:medium><![CDATA[Blue woollen cloth, glass seed beads, silk ribbon]]></dcterms:medium>
    <dcterms:identifier><![CDATA[E357904-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.22759, -95.72049 (N 47°13′39″ W 95°43′14″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[White Earth Reservation]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Collected by Frances Densmore at White Earth Reservation during the 1917 June 14th Celebration. Although it is unknown how he obtained them, at NMNH this strap dress and sleeves were in the collection of Victor Justice Evans, which was bequeathed to the museum upon his sudden death in 1931. He had imposed no system of temporal, regional, or cultural order on his massive ethnographic collection of 4,728 items from all over the world.  In the NMNH registry the dress and sleeves were separated by sixty-one numbers and both were surrounded by items attributed to “Plains Indians.” (Willmott 2021) This information was compiled with the help of field notes by Densmore at the MNHS.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/102">
    <dcterms:title><![CDATA[Strap Dress with Diagonal Ribbon Stripes]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[Woolen indigo blue trade cloth strap dress trimmed with multicolored ribbon horizontal and diagonal rows, with floral beadwork on the straps and the central panel.]]></dcterms:description>
    <dcterms:abstract><![CDATA[A card attached to the dress has written in Densmore&#039;s handwriting: &quot;Womans&#039;s costume comprising: 1. Dress, 2. Sleeves, 3. Leggins, 4. Moccasins, 5. Beaded sash (belt), 6. Otter-skin hair ornaments, 7. Beaded hair ornament; coll. by Frances Densmore 1917.&quot; Only the sleeves can now be confidently associated with the dress.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Technical diagram by Cory Willmott.]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1917]]></dcterms:created>
    <dcterms:accessRights><![CDATA[<a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" rel="noreferrer noopener">https://creativecommons.org/licenses/by/4.0/</a>]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/6" target="_blank" rel="noreferrer noopener">MNHS E97.1 p57 is photo of woman wearing this dress.</a>]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/103" target="_blank" rel="noreferrer noopener">E357904-0</a>]]></dcterms:isPartOf>
    <dcterms:references><![CDATA[Cory Willmott. (2021). Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio. 55. 121-185]]></dcterms:references>
    <dcterms:medium><![CDATA[Blue woollen cloth, black velveteen, glass seed and cut beads, silk ribbon]]></dcterms:medium>
    <dcterms:identifier><![CDATA[E357965-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.22759, -95.72049 (N 47°13′39″ W 95°43′14″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[White Earth Reservation]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Collected by Frances Densmore at White Earth Reservation during the 1917 June 14th Celebration. Although it is unknown how he obtained them, at NMNH &quot;this strap dress and sleeves were in the collection of Victor Justice Evans, which was bequeathed to the museum upon his sudden death in 1931. He had imposed no system of temporal, regional, or cultural order on his massive ethnographic collection of 4,728 items from all over the world.  In the NMNH registry the dress and sleeves were separated by sixty-one numbers and both were surrounded by items attributed to “Plains Indians.” (Willmott 2021). This information was compiled with the help of field notes by Densmore at the MNHS.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/101">
    <dcterms:title><![CDATA[Strap Dress Ensemble with Dress, Sleeves and Leggings]]></dcterms:title>
    <dcterms:subject><![CDATA[strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[Strap dress ensemble composed of blue woolen and cotton cloth dress, blue woolen cloth sleeves and red leggings of inferior woolen cloth. Trimmed with tubular and seed glass beads and woolen tape. The straps are decorated with floral applique beadwork.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Note that in all photos of this ensemble, the sleeves are positioned upside down. That is, the top edge of the sleeves are laid next to the straps with the flaps falling back away from the dress. However, if the ensemble were worn, we would be looking at the back of these sleeves with the flaps falling down behind the straps. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Technical diagram by Cory Willmott.]]></dcterms:creator>
    <dcterms:source><![CDATA[Anishinaabe]]></dcterms:source>
    <dcterms:created><![CDATA[1900-1930]]></dcterms:created>
    <dcterms:accessRights><![CDATA[https://creativecommons.org/licenses/by/4.0/]]></dcterms:accessRights>
    <dcterms:medium><![CDATA[Blue &quot;union&quot; cloth (wool and cotton blend), red woolen twill, cotton fabric, velvet ribbon, tubular glass beads, rick rack trim, silk ribbon, acetate ribbon, shell belt buckle.]]></dcterms:medium>
    <dcterms:identifier><![CDATA[ET951B-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[47.22759, -95.72049 (N 47°13′39″ W 95°43′14″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[White Earth Reservation]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[From Rev. Frederick W. Smith (ca. 1849 - 1932), an Ojibwa preacher at White Earth Reservation under Bishop Whipple. There is a photograph of him in the Bishop Whipple collection (Collection III.40.259) of MNHS. Smith&#039;s wife Sophie was a beadwork artist.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/100">
    <dcterms:title><![CDATA[Female Doll Wearing Painted Hide Strap Dress]]></dcterms:title>
    <dcterms:subject><![CDATA[painted hide, strap dress]]></dcterms:subject>
    <dcterms:description><![CDATA[From Oberholtzer: &quot;Their cloth bodies are stuffed, perhaps with caribou hair, and their heads are carved wood… The female&#039;s dress is of painted fetal caribou skin, sewn with the fur inside; it is cinched at the waist by a cotton cloth belt fastened at the front with sinew. The separate sleeves, straight-cut leggings and hood are navy wool cloth. The hood is lined with green tartan and is worn over a tartan shawl tied over the head and around the shoulders.&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Naskapi or Cree]]></dcterms:source>
    <dcterms:created><![CDATA[1882-1884]]></dcterms:created>
    <dcterms:accessRights><![CDATA[<a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" rel="noreferrer noopener">https://creativecommons.org/licenses/by/4.0/</a>]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/99" target="_blank" rel="noreferrer noopener">E90035-0</a>]]></dcterms:relation>
    <dcterms:references><![CDATA[Julia Harrison, Ed. The Spirit Sings: Artistic Traditions of Canada’s First Peoples: A Catalogue of the Exhibition (Toronto: McClelland and Stewart, 1987)<br />
<br />
Cath Oberholtzer. 2011, &quot;Made for Trade: Souvenirs from the Eastern Subarctic,&quot; American Indian Art Magazine, 36(2)<br />
<br />
Cory Willmott. (2021). Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio. 55. 121-185]]></dcterms:references>
    <dcterms:medium><![CDATA[wood, cotton fabric, wool cloth, animal fur, caribou hide, seed beads, red and black pigment]]></dcterms:medium>
    <dcterms:identifier><![CDATA[E90036-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[58.10732, -68.39968 (N 58°06′26″ W 68°23′59″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Kuujjuaq (formerly Fort Chimo), Ungava Bay region, Quebec]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Identified by Oberholtzer as male and female dolls, collected between 1882 and 1884 from Kuujjuaq (formerly Fort Chimo), Ungava Bay region, Quebec, by Lucien Turner, who identified the female doll as Nenenot (Naskapi). Oberholtzer identifies the dolls as Cree, and notes that &quot;While Turner was there [at Fort Chimo], a number of Cree families from Fort George and Little Whale River traveled there to hunt ... . Turner&#039;s extended stay in the area and the Cree presence gave him an opportunity to collection Cree items, including dolls.&quot;]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://iris.siue.edu/anishinaaberegalia/items/show/99">
    <dcterms:title><![CDATA[Male Doll Wearing Painted Hide Coat]]></dcterms:title>
    <dcterms:subject><![CDATA[painted hide]]></dcterms:subject>
    <dcterms:description><![CDATA[From Oberholtzer: &quot;Their cloth bodies are stuffed, perhaps with caribou hair, and their heads are carved wood. Only the male of the pair has bead eyes. He wears a fitted, painted caribou-hide coat, wool cloth leggings (which lack the pointed ankle projection) and a pillbox hat with a head scarf tied beneath it... Worthy of note are the male&#039;s two bags: a round-bottomed cartridge bag is hung over his left shoulder and rests on his right hip; and a drawstring gathered panel bag is tied to the belt on his left side.&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Naskapi or Cree]]></dcterms:source>
    <dcterms:created><![CDATA[1882-1884]]></dcterms:created>
    <dcterms:accessRights><![CDATA[<a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" rel="noreferrer noopener">https://creativecommons.org/licenses/by/4.0/</a>]]></dcterms:accessRights>
    <dcterms:relation><![CDATA[<a href="https://iris.siue.edu/anishinaaberegalia/items/show/100" target="_blank" rel="noreferrer noopener">E90036-0</a>]]></dcterms:relation>
    <dcterms:references><![CDATA[Julia Harrison, Ed. The Spirit Sings: Artistic Traditions of Canada’s First Peoples: A Catalogue of the Exhibition (Toronto: McClelland and Stewart, 1987)<br />
<br />
Cath Oberholtzer. 2011, &quot;Made for Trade: Souvenirs from the Eastern Subarctic,&quot; American Indian Art Magazine, 36(2) <br />
<br />
Cory Willmott. (2021). Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress. Winterthur Portfolio. 55. 121-185]]></dcterms:references>
    <dcterms:medium><![CDATA[wood, cotton fabric, wool cloth, animal fur, caribou hide, seed beads, red and blue pigment]]></dcterms:medium>
    <dcterms:identifier><![CDATA[E90035-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[58.10732, -68.39968 (N 58°06′26″ W 68°23′59″)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Kuujjuaq (formerly Fort Chimo), Ungava Bay region, Quebec]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Identified by Oberholtzer as male and female dolls, collected between 1882 and 1884 from Kuujjuaq (formerly Fort Chimo), Ungava Bay region, Quebec, by Lucien Turner, who identified the female doll as Nenenot (Naskapi). Oberholtzer identifies the dolls as Cree, and notes that &quot;While Turner was there [at Fort Chimo], a number of Cree families from Fort George and Little Whale River traveled there to hunt ... . Turner&#039;s extended stay in the area and the Cree presence gave him an opportunity to collection Cree items, including dolls.&quot;]]></dcterms:provenance>
</rdf:Description></rdf:RDF>
